Whānau Mārama: New Zealand International Film Festival: Wellington’s 10 craziest films
Wellington has the rare chance to kick off the annual New Zealand International Film Festival when the 2021 edition kicks off at the Embassy Theater on Thursday evening.
Fifty years after the inaugural Wellington Film Festival screened seven films, this year’s impressive lineup includes more than 170 feature films and short films across seven locations across the nation’s capital.
Things to watch has had a chance to preview a number of titles, and we’ve put together this list of 10 of the wackiest – some of which will have their only screenings in Wellington – that you just have to see to believe.
* WhÄnau MÄrama: New Zealand Film Festival: eight great kiwi films to discover
* Pogues frontman on New Zealand drug use and the hotel suite he painted blue
* WhÄnau MÄrama: NZ International Film Festival: The 12 essentials of the screening
* Wellington film champion Bill Gosden has passed away
Beyond the two infinite minutes
A master of the mind of which Michel Gondry or Spike Jonze would be proud.
Japanese director Junta Yamaguchi’s sci-fi comedy is this year Hot tub time machine Where Timecrimes, an increasingly savage mad prank involving a cafe owner and his friends who discover a television that allows them to see into the future – exactly two minutes into the future.
Infinitely inventive and surprisingly executed, it won a Special Jury Mention and the Audience Award for Best Asian Feature at the Fantasia Fest in August.
The Virtues’ and The trickery Niamh Algar stars in this British horror movie about a movie censor who sets out to solve the mystery of his sister’s disappearance after watching an eerily familiar video. However, it is a quest that will begin to dissolve the line between fiction and reality.
Kiwi Ant Timpson (who made his directorial debut with Come see daddy) is an executive producer of this 1980s story that not only conjures up many nightmarish visions but also the ongoing censorship controversies of that era in the UK.
Starring the voices of Lake Bell, Michael Cera, Zoe Kazan and Peter Stormare, this hippie, trippy, very grown-up animation opens with nudity and violence and, at times, feels like a feverish dream between South Park, Scooby doo and Heavy metal.
It’s the story of a woman’s quest to find the creature that soothed her childhood nightmares, but it’s also a fascinating meditation on the efficiency and nature of zoos and our sometimes tumultuous relationship with the environment and other inhabitants of the Earth.
Lily turns the world upside down
An excellent and well-received choice as a winner of SXSW’s feature-length documentary competition, Jeremy Workman’s portrayal of âthe domino artistâ and YouTube sensation Lily Hevesh offers both a fascinating glimpse into the world of ârockingâ. dominoes “professional and feelings of well-being. .
As well as showcasing a lot of amazing installations, it also provides a great overview of the rise of YouTube and why it has proven to be so popular with Gen Z.
French director Quentin Dupieux’s sequel to his killer black comedy Deer skin is equally quirky and crowd pleasing.
Two unfortunate losers are diverted from their important job of courier when they discover a giant fly in the trunk of their car. Sensing an opportunity to make some money, they started training him to get things. However, car problems and mistaken identity threaten to derail their plans.
Features a gorgeous scene-stealing cameo in the form of Adele Exarchopoulos from Blue is the Warmest Color.
The most beautiful boy in the world
BjÃ¶rn AndrÃ©sen was the Swedish teenager plunged into the stardom trap when he was personally selected by Italian director Luchino Visconti to play Tadzio in his 1971 adaptation of Thomas Mann’s short story. Death in Venice.
As Kristina Lindstrom and Kristian Petri’s portrayal of haunting sadness reveals, Andresen’s five decades that followed were marred by her experiences during and after filming. As he recounts the ups and downs of intense but brief stardom, we also see him return to work for an appearance in the folk horror Ari Aster. Midsummer.
Screened at the Sundance Film Festival in January, Belgium’s response to Half brothers and Dumb and even dumber has the transgressive quality of the Farrelly brothers to its subversive humor.
Issachar and Zabulon are two silly siblings who constantly get offside with others and get in trouble with the authorities. When they accidentally lose their mother’s dog, after a shoplifting attempt goes awry, their attempts to get it back lead to a series of crazy encounters with a range of equally eccentric characters.
New Zealand’s Cliff Curtis is a surprise star in this Croatian coming-of-age drama. He plays a wealthy businessman whose visit to a former employee and friend causes unrest in the family and makes a young woman dream of a life beyond her isolated home.
Richly atmospheric and perfectly paced, it features a formidable performance by Gracija Filipovic, who played the same character in the award-winning 2017 short film by director Antoneta Alamat KusijanoviÄ. In the blue.
A kind of Parasite-meets-Bombay Hotel, the disturbing and increasingly dark drama of Mexican director Michel Franco examines the effect of a revolution on the life of a wealthy family.
What is supposed to be the happiest day in Marianne and Alan’s life turns into a nightmare, after armed guerrillas storm the family compound and their so-called loyal servants start stealing the silverware. Filled with searing images and thrilling action, it’s a story that isn’t easily forgotten.
Raiders of the night
Executive produced by Taika Waititi and New Zealand films Miss Conception and starring 800 words’ Kiwi actor Alex Tarrant among the lead cast, it’s easy to see why Canadian filmmaker Danis Goulet’s debut has generated so much buzz since making his Berlin debut earlier this year.
Although it takes place in a dystopian future where the military has taken control of North America, it is actually a confrontational allegory about Canada’s past treatment of its Indigenous peoples. A spellbinding, vibrant and thought-provoking story.
The Wellington stage of WhÄnau MÄrama: New Zealand International Film Festival 2021 will take place from November 4 to 21. For more information, locations and times of sessions, see nziff.co.nz